The Hound of the Baskervilles – first edition 1902
Sherlock Holmes has been rated as one of the most popular fictional characters in history. His claim to fame is backed by an official world record. According to Guinness, Holmes is the “most portrayed literary human character in film & TV,” having been depicted on screen in over 250 films and hundreds of TV episodes. The stories have been translated into over 60 languages and Braille. Some iconic portrayals are by Basil Rathbone in the forties, and Jeremy Brett in the 80s and 90s. The enduring appeal of Holmes for over a century is a testament to his lasting impact. He consistently ranks at the top of “greatest character” lists and is an enduring literary figure. His stories have never gone out of print, and he has inspired one of the world's first and most dedicated fan communities.
Basil Rathbone and Jeremy Brett are both iconic Sherlock Holmes portrayals
His quixotic qualities, his unique enthusiasms, and vast range of expertise on esoteric subjects have contributed to his becoming an almost mythical figure. In the present novella, the third of four Conan Doyle wrote, a dark mystery presents itself and he has to put himself and his client in danger’s way to entrap the villain behind the baying hound on the moor that is heard during the ‘hours of darkness when the powers of evil are exalted.’ Inspector Lestrade of Scotland Yard, who has by now become an admirer of Holmes’ methods, is called upon to assist in the planned denouement when Holmes hopes to catch the villain red-handed.
Portrait of Arthur Conan Doyle from the official website conandoyleestate.com
One of the charms of Conan Doyle’s writing is his use of words that have by now become archaic, such as Farrier (one who shoes horses), Almoner (an official responsible for distributing alms on behalf of another individual), Roysterer (a noisy and boisterous reveller), Pannikin (a small pan or drinking vessel of earthenware, what we would call a ‘khullar’ in Hindi), Tor (a high rock; a pile of rocks, gen. on the top of a hill), Goyal (a deep trench, a ravine). Then there are obsolete uses of verbs such as this:
the beast spring upon its victim, hurl him to the ground, and worry at his throat.
‘worry’ meaning to seize by the throat with the teeth and tear or lacerate; to kill or injure by biting and shaking. It is said, for example, of dogs or wolves attacking sheep, or of hounds when they seize their quarry. (OED definition).
The powers of observation of Holmes are the foremost among his detective skills. “The world is full of obvious things which nobody by any chance ever observes,” he says. When the portrait of Hugo the Roysterer, who became the first known victim of a hound among the Baskervilles, is before them, Holmes observes an uncanny resemblance to Stapleton, and cries out to Watson: “Ha, you see it now. My eyes have been trained to examine faces and not their trimmings. It is the first quality of a criminal investigator that he should see through a disguise.”
The Grimpen Mire with its Tors is very atmospheric, full of boulders and mist and eerily open spaces, which help set the mood
Next to observation is his ability to frame a series of hypotheses after collecting as many facts as possible. Facts are the underpinning of every one of his deductions. Indeed the word ‘facts’ occurs 23 times in the novel. “An investigator needs facts and not legends or rumours,” Holmes says. A third and perhaps crowning part of his intellectual apparatus is described in this famous saying of his: “When you have eliminated the impossible, whatever remains, however improbable, must be the truth.” (from The Sign of Four). His method of logical deduction works by ruling out all possibilities that are not feasible, based on the facts.
The novel is full of interesting characters like the butterfly hunter Stapleton who has discovered a species on the moor and is quite famous in entomological circles. There is a litigious community worker, Mr Frankland, who has filed cases to open up private lands for common access to walkers, and also done the opposite, close off his own land to public trails. Of course, Holmes himself takes centre-stage with his sharp powers of observation and deduction, combined with an eschewal of unverified assumptions, which give him a penetrating access to detective solutions. Some of the descriptions give a Gothic cast to the novel, for instance:
– the hours of darkness when the powers of evil are exalted,
– two great stones worn and sharpened until they looked like the huge corroding fangs of some monstrous beast,
– slimy water-plants sent an odour of decay and a heavy miasmatic vapour onto our faces,






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