Thursday, January 29, 2015

The Adventures of Huckleberry Finn by Mark Twain — Jan 23, 2015


First Edition, 1884

Hemingway thought that The Adventures of Huckleberry Finn was the inauguration of American literature, so highly did he respect the original voice and narrative genius of Mark Twain, displayed in this, his most famous novel.

KumKum, Gopa, Priya

The story is about young Huck Finn escaping the disciplined life of home and the cruelties of his father, to raft down the Mississippi with an escaped slave, Jim, who belonged to his benefactor's sister, Miss Watson. Their adventures on the river are numerous, some hair-raising, many humorous (such as the charlatans who pretend to be King and Duke in order to dupe people at country fairs).

Sunil, KumKum, Gopa

Jim himself provides much entertainment in passages, two of which were read: the 'Sollermun' episode and the Jim's take on good-luck signs. Though he is shown in places as simple-minded and ready to believe in witches, yet Jim has the earthy good-sense of honest working men everywhere. He loves Huck Finn and the love is returned as Huck makes the central decision: whether to turn in Jim as an escaped slave, or let him follow his good-luck to freedom and a family reunion.

A Huck Finn version which removes the N-word

The fun the readers had could be best measured in the laughter ringing out of the CYC library. Adept as KRG readers are to find humour in the darkest of novels by employing side narratives of their own, this novel did not need any external injections of wit whatever. One only had to be open to the abundance of drollery Mark Twain had fashioned, two fathoms deep on every other page.


Here is the group who attended, minus Gopa, Kavita, and Priya who had to leave early. 
Pamela, KumKum, Preeti, Sunil, Joe

Sunday, December 14, 2014

Kochi-Muziris Biennale 2nd Edition - 1 - Artist Daniel Connell at Spice Fort Hotel, Dec 13, 2014


The Daniel Connell exhibition of paintings and charcoal drawings of labourers was inaugurated at Spice Fort hotel on Dec 13, 2014 at a function attended by cricketer Ajay Jadeja from Delhi, K.J. Sohan, councillor and Fort Kochi elder, and art aficionado, Diana.



The show is called 'Labour', for the paintings and charcoal drawings are of common folk, the labourers found in and around Fort Kochi. Daniel said, ‘Art is about connecting, connecting people.’ He thanked Selvaraj, one of the many labourers he has depicted in the paintings and drawings decorating the walls of the hotel. He also thanked representatives of the Australian High Commission who came to attend.


K.J. Sohan hailed the second edition of the Kochi-Muziris Biennale (KMB2) for its showcasing of the art and attractions of this area. For 31 years the Carnival in Fort Kochi on New Year’s Day has drawn a wide audience to this 500 year-old city that has seen the rule of three European nations: Portugal, The Netherlands, and Britain. But now India is looking East, a new direction initiated by Prime Minister Modi, and having an Australian artist who is familiar to Cochinites, to exhibit here is not surprising therefore.


Mr Sohan remarked that as we go about our daily business our eyes gaze on labourers, but glaze over. We watch but do not observe, or care to remember these faces. But Daniel does  he noted Achu who operates a wayside eatery and works from 6am to 7pm providing food for local workers and travellers (Rs 10 for breakfast); he was caught in one the pictures by Daniel in KMB1. The artist has brought the common people together, and brought them into the mainstream of art. He thanked Daniel for being a strong force for the solidarity of society. As an aside Mr Sohan said the city has paid for training Achu in culinary arts and provided a stainless steel shell for his thattukada next to the Cochin Aquatic club at the entrance channel of the harbour, next to the Corporation building.


Ajay Jadeja, cricketer of yesteryear and now a commentator seen often on TV, spoke about coming to know Daniel on a visit to Australia. He confessed he is new to art, and Daniel is the only artist he could call a friend. From Daniel he learned the lesson that every human is special and artists like Daniel bring it out in their work. He thanked Daniel for calling on him to be present. It was Daniel’s coming that made Jadeja appreciate art and artists – for his life till now had been spent among his team-mates on the cricketing green. Daniel is special not only for his paintings, but for the people he has touched by his art.

Daniel Connell at the mike with two of his models, Selvaraj left in Sabarimala black & another labourer.

Selvaraj

Here are some observations by Daniel Connell from the brochure brought out on the occasion:
Why charcoal as medium – it is accessible, relatively environmentally friendly. Cheap and democratic for everyone can access it. It keeps the enrgy you put it on with. And it looks temporary and unfinished.

Art is following as truly as possible an inner desire to discover something.

Portrait drawing started by accident when I drew a portrait of an old Muslim man, a patriarch of the area, as we sat on a street. And next minute everyone on the street wanted one and I happily obliged and this was the accelerator pedal to know the whole community.

I wanted to underscore the element of time commitment and care, hence the engagement required in making a drawing as accurate a realist rendition as possible.

In these faces … I am not asking them to tell their story ... in this work I am telling of our meeting and what joy and delight and power it had for me.

Art must be personal, otherwise it is design. Love makes the unique in art.

K.J. Sohan, councillor of Fort Kochi, with KumKum

Our congratulations to Daniel Connell on another great series of works; here is a blog post from the first Biennale, two years ago, with a pic of my grandson, Gael, (and Diana) in front of the mural of Justin Alan Magridge, Daniel's friend from South Australia:
http://kochiread.blogspot.in/2013/01/kochi-muziris-biennale-2.html

If you click on the pic it will unfurl at higher resolution and the anthropological notes accompanying the mural are worth reading.

Dimitri Klein, hotelier, ex-Parisian ad-agency man, now settled in Pondicherry – with KumKum


We salute Daniel Connell on his effort to bridge the gap between peoples, and within societies. May he live a thousand years (through his art!).

Saturday, December 13, 2014

Poetry Reading – Dec 9, 2014

This was a subdued gathering of seven readers, but the coverage of poetry was as international as readers have come to expect at a poetry session.

Zakia, KumKum, & Talitha

Ramanujan, Angelou, Graves, Swift, Rice, Syzmborska, and Paz is an unusual combination; one of them may not be a poet at all. All were from the 20th century, except Swift. So short a list, yet count two Nobels.

KumKum, Talitha, Preeti, Pamela, & Zakia (back to camera)

There was not only variety in the poetry, but an even greater variety in the kinds of things these poets did, from writing plays and political pamphlets to dancing and diplomacy.

Preeti & Pamela

Have we run out of new poets to explore? Consider four of the seven have been read at previous sessions. But here we are, happy as could be, at the end of another reading: 

Kavita, Talitha, KumKum, Pamela, Zakia, & Joe