Many thanks to Priya who provided this account of the session. It was a highly enjoyable reading with seven members present.
Bobby holds forth as Zakia, Talitha and Minu listen
Some felt that the book had too many coincidences designed to result in the right outcome. But all agreed the writing was very good and at times, even lyrical.
The book deals with many subjects: the
break up of Afghanistan, ethnic hostilities between the Pashtun and Hazara
communities, gender inequalities, the Soviet invasion and the rise of
the Taliban.
Minu, Priya, Talitha, Sivaram, and Thommo
The readers thought The Kite Runner was ideal for a Bollywood Box Office hit and they chose actors from
the industry who might play the roles.
Welcome back to Sivaram who attended after a lapse of two years.
To read more click below.
Full Account of the KRG Reading session of The Kite
Runner at Cochin Yacht Club on August 12, 2011
Attendees: Minu Ittyipe, Zakia Abbas, Thomas Chacko,
Paul George, Talitha Mathew, Priyadarshini Sharma and Sivaram Sreekandath
Absentees: Joe and Kumkum Cleetus (On holiday)
Indira Outcalt (busy with home), Soma Kanjilal (reason not known), Amita Palat
(moved to Chennai)
It was a well attended reading with seven members
present.
Zakia began the reading as she had to leave early
for Ramadan fasting. She read a passage where Amir and the reticent Sohrab
share a short exchange about the possibility of taking Sohrab to America. This
would, Amir tells Sohrab, entail a brief stint in an orphanage in Pakistan, a
suggestion to which Sohrab reacts badly. Memories of a horrible stay in an
orphanage agitate him and he cries himself to sleep.
Zakia said she enjoyed the book very much and had
seen the film too.
Talitha felt that despite The Kite Runner being a
highly popular book she felt it had too many co-incidental situations and was
melodramatic beyond her taste. She cited many examples to substantiate her
point of view.
To her the book did not have "normal
pathos," and this made her uneasy. Bobby interjected that the cruelty and its
excesses constituted realism, though he agreed that the structure was a bit too
predictable. Amir is able to redeem himself through a succession of events
which seem contrived. Nevertheless, Talitha enjoyed the book.
Sivaram appreciated what he called the lyrical and
visual quality of the language, and read a couple of short passages elucidating
his point.
He spoke about an article by Richard Corliss in Time
magazine on the adventures about the making of this film.
Minu said that the book was written for a Western
audience and perhaps the style of writing was the by-product of a ‘creative
writing’ school which the author might have attended.
A fairly humorous and lengthy discussion on
"guilt" ensued - about the Christian notion of guilt and its
treatment in other religions. Sivaram said that guilt was not so vital a tenet
in Hinduism and the group generally felt that it wasn’t critical in Islamic
theology, either.
Minu said that in Afghan society there was no guilt
associated with illegitimate children. Bobby used the term "existential
guilt," a term used by RD Laing.
The break up of Afghanistan, the ethnic hostilities
between the Pashtun and Hazara communities, gender inequalities, the Soviet
invasion, and the rise of Taliban were all briefly touched upon.
A funny digression was when everybody felt that the
novel was ideal for a Bollywood Box Office and chose actors from the industry
to play the roles. The group decided that Aamir Khan, despite his age, would be
best suited to play Amir and the Late Amrish Puri with his stentorian voice
would be suitable for the role of Baba, the proud Afghani businessman. Sivaram
mimicked the scene where Amir, deeply ridden by his guilt asks Hassan to
retaliate and hit him with pomegranates but the servile Hassan refuses to do
so.
This scene of the ruddy pomegranates hitting Hassan on his forehead and
busting and his stoic tolerance was enacted comically by Sivaram. These asides
made the reading enjoyable.
Thommo read the passage related to kite flying and
narrated his experiences with it in Kolkata. Kum Kum would have loved to hear
and add to his tales, coming from Bengal. The men got into the fray and
everyone had a small kite related anecdote to share.
Bob read a poignant passage from the end of the
novel when Amir is back in America with Sohrab. It is about the coming to terms
wit his father’s shared love between Hassan, his illegitimate son and Amir, his
son in the eyes of the world.
Priya had lost the passage which she had book-marked
and read another one chosen by Talitha - it is about a chilling description of a type
of killing, common in the Afghanistan of that time. Everyone agreed about the
visual clarity of Khaled Hosseini’s prose and its fine lyrical quality.
Minu said that about 2 million people had been
killed in Afghanistan, and 5 million refugees had fled the country since the
beginning of external intervention in the eighties.
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