First edition cover (1980), illustration by Ed Lindlof published by Louisiana State University Press
Several of the readers found this novel indigestible. It is not that they have not met with comedic or eccentric characters in other novels, but an Ignatius Reilly who walks around illustrating so many psychosomatic disorders is a unique novelistic find. Dyslexia, which one of the readers claimed was his major shortcoming, was probably not among his scourges, because it was not with words or numbers that he had problems. The verdict of Gemini, the AI program, is that “Ignatius J. Reilly is not formally diagnosed with a single, real-world medical affliction. Instead, he is a dramatic composite of various physical, psychological, and behavioural traits that rarely – if ever – occur together in a single individual in the manner Toole presents.”
Ignatius Reilly’s stubborn persistence in his quirky behaviour and his conviction that “I’m not the problem, the world is the problem,” leads to a series of mishaps with other people, many of whom have heir own behavioural problems. The unrelenting march to doom in the novel is supposedly lightened by ‘humour’ but it is not of the kind where you laugh with the character in a jokey situation, but at the pitiable character. Who is this blunderbuss of an idiot who adopts the pose of a philosopher in the mould of the 6th-century philosopher Boethius who had the concept of a Wheel of Fortune? And eats a vendor of hot-dogs out of his entire cart’s supply?
It was all too much. Even the cockatoo undressing an exotic dancer in a saloon in Bourbon Street, New Orleans, did not lend much fun.
Out of a sense of duty several readers did plough through the academic essays of Ignatius Reilly and survive his buffoonish behaviour on display in the novel throughout. As one reader put it, the novel has no plot, but offers a series of disjointed incidents in the life of a ridiculous man.
But it all ends well:
Myrna Minkoff driving off with Ignatius Reilly just as the ambulance arrives to take him to the asylum
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