Wednesday, 6 April 2011

Child Man — personal development by Ashok Malhotra Apr 1, 2011



Ashok Malhotra is an organisation development consultant in Bengaluru who works in a group setting to resolve the human interface problems in corporations.
The book develops the thesis of the Child Man (CM), inherent in each of us, a basic duality that is at the bottom of human difficulties in acting appropriately in trying situations. It is a summary of Mr Malhotra's reflections, based on experiences gained from guiding organisations. In essence, he says, we are all a bundle of contradictions, not easy to fathom, passionate, yet surrendering to impulses. The CM is highly self-centred, but glad to help others too, endearing yet exasperating. S/he gets entrenched in self-defeating positions, said Mr Malhotra.

 The audience at David Hall for the Kochi book launch of the 'Child Man'
In today’s society the CM gets pushed from all sides. There's a pressure to be non-emotional at work. Therefore, finding space for the CM is difficult today, although it is the most delightful part of who we are. In modern times we are seeing only the ugly part of the CM, Mr Malhotra regretted. 
One has to remember that people in the corporate world are not purely rational, not purely calculating; plenty of non-rational processes are also going on.

  Jose Dominic and Mathew Antony at the Kochi book launch of the 'Child Man'
In an aside he addressed what might be the subject of his next work. It arises from a flaw in the theories of management currently held, namely that the desirable part in a manager (whether she be female or male) is only Man, dominant, forceful and rational, not Woman. This is in spite of the fact there is a Man and a Woman in each of us. And just as men have oppressed women historically, we are now oppressing the woman inside us in the corporate world and foregoing many of the benefits of the woman's qualities in us.
Mr Malhotra paid tribute to works of literature like Aldous Huxley's Brave New World, George Orwell's 1984 by, and Darkness at Noon by Arthur Koestler.
For further details of the book and the Question/Answer session please click below and continue reading.

Monday, 7 March 2011

Poetry Session on Mar 4, 2011

The only session of Poetry that was as memorable as this took place when we celebrated the birthday of Shakespeare at the session on May 05, 2009. The attendance was at its highest ever with ten out of twelve readers present. The enthusiasm for poetry was represented by the wonderful variety of poets whose songs and verses were recited.

Zakia, KumKum and Indira before the reading at the Cochin Yacht Club

If one were to count the poets recited, the score was England - 4, India - 2, Lebanon, Germany, Chile, USA, Caribbean - 1 each.  Mystic poets, Rastafarian poets, pastoral poets, epic poets, free verse poets, austere poets, and poets of magical illumination arose from the dusty pages of the past to treat the readers to a feast of words. To paraphrase Pablo Neruda, poetry arrived Mar 4 in search of our readers.

 Zakia, KumKum and Amita at the reading

Sadly, two of our devoted readers, Amita Palat and Talitha Mathew, will be leaving Kochi. We had a farewell lunch for them next day. However, we hope to have Talitha participating whenever she can make the journey from Thiruvananthapuram to Kochi for our readings. Perhaps virtual readings using the power of the Internet can overcome the distance. But how to simulate "the fun, frolic, and the frenzied free-for-alls"? — to quote Talitha.

Amita, Zakia, Soma, KumKum, Indira, Talitha, Bobby, Minu, Thommo, and Joe kneeling

For a fuller account click below. Or link to the Record of the Poetry session on Mar 4, 2011

Sunday, 6 February 2011

Nectar in a Sieve by Kamala Markandaya — Feb 4, 2011


Over a million copies sold, and in print ever since publication 57 years ago — how many novelists can claim such a testament to the enduring appeal of a work of theirs? Its straightforward narrative has a beguiling quality; the heroine is possessed of a wonderful resilience to cope with the complexities of life in a village in rural South India.


The style is spare like Hemingway's, said Bobby here reading

Many readers were puzzled by the sole Englishman who appears in this book, set in colonial times. Rukmani seemed to have a line to him, but he acts inconsistently – a mysterious figure who slips in and out.

KumKum and Indira  react to the readings

Many readers agreed that Nectar In A Sieve is a love story at bottom, and a joyful one at that, in spite of the suffering Nathan and Rukmani have to endure. Here are the readers at the end, including Ammu Joseph who came to try us out. Thommo had to slip out for a meeting.

Joe, Zakia, Bobby, KumKum, Indira, Ammu, Minu

To read more click below, or press here to read the full account and record.

Friday, 4 February 2011

Arundhati Roy Releases the Malayalam translation of "The God Of Small Things" Feb 3, 2011

The publisher hovered over the petite author with a proprietorial air. And she smiled beatifically at the gathering of a thousand or so people who came to watch their heroine slay another dragon: overcoming the hurdle to translation in the language of the state where her novel is set. Here she is on the stage releasing the book:


Recounting how women in different countries she visited had found a connection with her novel, she observed: “Literature must vault over cultural barriers and join people.” She took a view of the writer as someone engagé: the important thing is not winning prizes, but “to connect to the worldly order, to write about it, to change the structures of power, to shake up things that are bad, to love the things that are good. These are the important things in being a writer.”


She reminded the audience: “It is easy to forget The God Of Small Things is a political novel. It is about caste, about violence, about contemporary things … The most ugly thing about our country, and our culture, is caste. It is there in the book. And please don't forget that.” Here is the book:

Priya A.S. translated Arundhati's novel,
titled Kunju kaaryangalude odaya thampuran
It was published by by DC Books on Feb 3, 2011

And here is the publisher himself, Ravi DeeCee, having a copy signed by her:


To read more click below.

Tuesday, 11 January 2011

Poetry Session on Jan 7, 2011

The next session will be to read from the novel Nectar in a Sieve by Kamala Markandaya on Feb 4, 2011.

This was the first session of the year, and even more provocative than usual. Perhaps we were all in capital form after year-end celebrations. Milton caused the most uproar. But here we are at the end, as smiling and happy a crowd as ever, brimming with poetry:

KumKum, Amita, Indira, Talitha, Mrs Sheila Cherian, Zakia, Minu, & Joe kneeling

 A record of sorts was established in our poetry appreciation. We have commented at greater length on a poet than ever before; Milton was responsible for an outpouring of 2,646 words in the proceedings! The discussion continued online much beyond the date of our reading.

We were happy to welcome Mrs Sheila Cherian, Talitha's mom, who was holidaying in Fort Kochi with her daughter. She normally resides in cool Coonoor.

The international roster of poets recited was not unusual – 3 from England (Milton, Larkin, and Farjeon), 1 from Nigeria (Okara), 1 from China (Li Bai), 1 from India (Seth), 2 from USA (Dickinson, Pound), and 1 from Guyana (Nichols), though she is domiciled in England.


Mrs Cherian,, KumKum, Amita, Indira, & Talitha back to camera

You may read here a full account of the proceedings with all the discussions and the text of the poems. Or you may read it below

Monday, 29 November 2010

A Streetcar Named Desire by Tennessee Williams -- Nov 26, 2010


The next session, Poetry, will be held on Jan 7, 2011, same time, 5:30pm, same place, Cochin Yacht Club. The following session to read Nectar in a Sieve by Kamala Markandaya will be on Friday Feb 4, 2011.  The novel selected for reading after that, some time in April, is A Portrait of the Artist as a Young Man by James Joyce.

 Talitha, Soma, KumKum, Minu, Indira, Priya, Bobby, and Amita discussing

A Streetcar Named Desire was the play that brought fame to Tennesse Williams; it also launched the Hollywood career of Marlon Brando. Packed in a slim volume is a tiger of a play in which fantasy, deception, love, sex, death, and raw emotions clash. It's a wonderful play to illustrate how a dramatist sets off characters against each other and illumines them brilliantly with the dialogue. The exchanges on the surface have undercurrents which the play's audience can sense. Brando, whom a critic termed a 'sexual terrorist', gave the performance of his life to enliven Tennessee Williams' play on screen, which the readers will view at the CYC on Dec 2 at 6:30 pm.

 Soma, Talitha, Amita, KumKum, Bobby, Priya, Indira, and Minu at the reading

The scenes between Blanche and Stanley are the most intense, as temptress and terrorist spar with each other. Just as alluring are the scenes where the two sisters, Stella and Blanche, converse and establish where each one stands in their search for love and security.

The women are laughing 'coz Joe has unbuttoned his shirt, as manly Stanley does

There was much enjoyment in the dialogue and real debate about the controversial elements: was there or was there not a rape? Does the play illustrate that nobody has a corner on duplicity, as TW said? What is the role of music and the carefully delineated props the stage directions mention? How real are Stella's and Stanley's love for each other?

For a comprehensive account of the reading click here:
Full account and record of session on Nov 26, 2010

or here below ...

Thursday, 18 November 2010

The Week Hay Festival in Thiruvananthapuram, Nov 12-14, 2010

The Kanakakunnu Palace is tranquil place, near the Napier Museum and the Zoo. Three rooms were used for parallel sessions with authors being interviewed first; then the audience could ask questions.

Vikram Seth recited a few unpublished poems; here's a Villanelle, which ends
I must, I simply must get out of bed
And press that reset button in my head.
 

KumKum was maha tickled on the second day of the festival, when seeing her alone and palely loitering, he asked, "Hi KumKum, where's Joe?"

 Vikram Seth signs in Malayalam too!

Peter Florence led Simon Schama through the alphabet, letting Schama expatiate. An example:
"T .... is for Tarantino. Such a bad boy and an amazing director. The sound track of 'Pulp Fiction' was incredible. Took up with my student, Mira Sorvino. How dare he!"

Tarun Tejpal (owner-editor of Tehelka weekly and novelist)  talked about his new novel "The Story of My Assassins". He contrasted the certainty of his stand in the sphere of journalism with the doubts he entertains when writing a novel (about the characters, how they behave, etc.). The professions of journalism and being a novelist, are both subversive; they are there to challenge the received opinion, and not merely to confirm everybody's prejudices.

“A weapon they [the Congress Party] can't quite control,” said the interviewer, Shoma Chaudhury. Mani Shankar Aiyar (himself, a non-believer) felt that Dawkins' attack on religion involves him in contradictions because atheism too is a form of belief, and therefore, Dawkins' crying himself hoarse against belief in God, makes him exactly like a believer in one religion decrying the adherents of all other faiths.

Kashmiri journalist, Basharat Peer (centre), spoke about his book of factual, corroborated stories of the events in Kashmir in the past two decades, “Curfewed Night.” Kashmir is heavily militarised. What happens in Kashmir in the name of India is nothing for Indians to be proud of, he said. When someone from the audience suggested that Real-politk will dictate the solution in Kashmir, Mani Shankar Aiyar retorted, "Why are morality and justice not on the table as the basis of the solution?"

Michelle Paver is the author of a series of children’s books (six volumes called "Chronicles of Ancient Darkness") with a boy, Torak, as the hero. Paver said her stories are not fantasies, but a well-researched recreation of the human reality of hunter-gatherers 6,000 years ago. Here's a wonderful statement: "All writers are spirit walkers in a way. We have to inhabit our own characters."

Tishani Doshi spoke about her first novel, “The Pleasure Seekers.” A wonderfully playful and imaginative reconstruction of the history of a clan, it begins with a Gujju lad who goes to England and comes back with a phoren wife. As an aside, she mentioned that, in future, unless people regain the habit of writing letters, they will forgo the great pleasure of opening themselves (and becoming vulnerable) to another person and receiving moving expressions of things on a personal level. “Do you write to your lovers?”, the interviewer asked. “Yes,” came the swift reply 

  Malayalam poet O.N.V. Kurup, winner of the Jnanpith Award, recited a beautiful poem of environmentalism (“Bhoomikkoru charama geetham”) in which the Earth is described thus:
“
O mother Earth, / Most favourite bride of the blazing sun,/ You've lost your pristine bridal dress.”

 Gillian Clarke is the third national poet of Wales. The first one wrote in English and Welsh, but she writes in English alone, since she acquired Welsh only by study at a late age. But she has her poems translated into Welsh by her good friend and fellow poet, Menna Elfyn, who was also there, courtesy of the British Council. Auden said about Yeats ('In Memory of W.B. Yeats')
Mad Ireland hurt you into poetry.
“What hurt you into poetry?” someone asked. The answer was:"Love, earthquakes, the denial of Welsh to me when a baby, the weight in the heart ...these things inspire poems."

Upinder Singh is a historian, author of numerous books, and professor of history in the University of Delhi. She is the PM's daughter and came to discuss the unwritten histories of the past that need to be written. She emphasised that history has to be narrated as a human history, in order that it may relate to us as human beings.


Nik Gowing of BBC has written a monograph, 'Skyful of Lies and Black Swans', which can be downloaded from the Web. He declared the new media (the Internet, the mobile phone, etc.) are extremely subversive. Governments and corporations have still not got it, and are in a mode of reacting too late, and defensively. But I say: in spite of the vaunted power of mobile phones and webcams they have made a contribution only on the margins of public efforts for change. The warmongers, the frauds, the authoritarian regimes, and those guilty of colossal pelf still go unpunished in the East, and in the West.

Debate: Resolved that Economic Growth occurs at the expense of Social Development.
Trickle-down doesn't work. Laissez-faire doesn't work. Dirigisme doesn't work. Tejpal said that in reports of hunger, India is at the bottom nearly, 67th in a list of 84 countries. We call ourselves an emerging power, 'Shining India', and all that, and we cannot feed our children! Tejpal had a startling observation: the irony of egalitarian sharing of  wealth in India is not that the backward tribal people of the central Indian forests in Chattisgarh (the scene of some of the 'Maoist' revolts) are going to the rich and saying 'please, we want some of your wealth', but that the very rich and the corporations they control are going to the tribal people and asking them to hand over the little land they possess, as well as their access to the forests for their livelihood, so that the ores of iron and aluminium lying underground may be appropriated by them. And the state is abetting the rich.
The motion was passed by a fair margin.

  The legendary Bob Geldof, visibly aged, spoke extempore about his commitment and love for the continent of Africa. He inveighed against the injustices perpetrated in Africa for centuries by white men, still continuing under some of their own rulers. He led the finalé of the festival with an open-air rock concert at the Nishagandhi amphitheatre, with the superstar Sting.

Leave a comment below if you want to know more about any of the events above, and others not discussed for lack of space. For the full programme of the event, please consult:
The Week Hay Festival Programme in Kerala 2010

Sunday, 3 October 2010

The World According to Garp by John Irving — Oct1, 2010

The next session will be held on Nov 26, 2010, to read excerpts from the play, A Streetcar Named Desire (SND), by Tennessee Williams.

On Dec 2, 2010 (Thursday) a private viewing of the Marlon Brando - Vivien Leigh movie of SND will be screened at the Yacht Club at 6 pm.

The World According to Garp
The question of feminism and what it meant, gave rise to a steady stream of discussion, as that theme runs through the novel from beginning to end. Here are the 'feminists' in animated discussion —

Soma, Talitha, Amita, KumKum

Whether the quality of the writing elevates the novel to the first ranks of literature was another question that dogged the discussions. As happens in nearly all the sessions, lively arguments were put forward on several sides, but the readers were left to form their own judgments. John Irving's own opinion may be true, but it is probably tongue-in-cheek: "An artfully-disguised soap-opera."

Two visitors joined us for this session, Mr Thomas Manipadam and Mr Renjith Sanoo.

Soma, Talitha, Amita, KumKum, Manipadam, Bobby, Thommo, Sanoo

You may read a full account of this session by clicking here. Or by following the link below.


Tuesday, 28 September 2010

Poetry Session on Aug 13, 2010

 The next session of the KRG will be on Oct 1, 2010 to read The World According to Garp.

Summer vacations halved the attendance for the Poetry Session in August. A new intending member was introduced Ms. Minu Ittyipe, a journalist. The absence of so many readers, you might think, would have reduced the intensity of the discussion, but take a read of the full account linked below to find out what happened.

Minu, Talitha, Amita, Thommo

 The poets were diverse in nationality: English - 4, American - 1 , Indian-American - 1 , and Australian.- 1

The poems recited ranged from sonnets (Elizabethan and Italian), to blank verse and tercets; and even prose-poems, a category that did not exist before post-modernism. Religion, language identity, and assertion of women's place in the world, were the powerful themes advanced by the poetry recited. These subjects enlivened the discussion that ensued.

Priya, Talitha, Amita, Thommo

Here is a link to the full account and record of the session on Aug 13, 2010


Monday, 12 July 2010

Moby Dick by Herman Melville, July 9, 2010


This was the much-awaited reading of Moby Dick.  The book is large, and the enchantment it holds for readers is deep. It takes time to traverse the voyage of Ishamel, which is as much mental as physical, through the 135 chapters; even a cheat sheet to reduce the words to half by judicious skipping did not enable everyone to finish the novel.

 Zakia reads about Stubb killing a whale as Soma & KumKum listen

Indira managed to persuade the British TV actor, Madhav Sharma, who was visiting for a family occasion, to come and read for us from Chapter 36, The Quarter-Deck; in a fiery conversation Ahab overmasters his crew and swears them to the maniacal objective of killing the White Whale. 


Amita, Thomo, Indira, and Madhav Sharma at the reading


 
Indira reading about the pacific whale nursery of thousands of congregating mother whales

The next novel will be chosen by Soma and Zakia and they will notify the others at the next reading on Aug 13, 2010.


Madhav Sharma, British TV actor, reads Chapter 36 of Moby Dick where Ahab beguiles the crew of The Pequod to pursue his personal vengeance on the White Whale

Forthcoming sessions are as follows:
Aug 13, 2010    Poetry
Sept 24,2010    John Irving, The World According to Garp
Here is a link to the full account and record of the session on July 9, 2010.



Madhav Sharma seated - KumKum, Thommo, Indira, Bobby, Amita, Zakia, Soma