'My only love sprung from my only hate'
Our UK visitors, Madhav Sharma and Miranda Lapworth, conducted two
workshops, introducing Shakespeare to participants through stage acting. On Apr 24
they took up scenes from Romeo and
Juliet for acting, and on Apr 25
it was Macbeth. The film shows of the two plays had been arranged on the day prior to the workshops.
'this my hand will rather the multitudinous seas incarnadine'
The participants were divided into groups of two or three as required and handed out the text of short scenes, for example, the
opening scene from R &J where the
servants of the Capulet and Montague families go about insulting and taunting each other until swords
are drawn and a brawl ensues.
Miranda Lapworth with participants in the Romeo & Juliet Workshop on Apr 24
First, the workshop attendees focused on what the scene was about,
the emotions and underlying tensions, and how they are manifested by the
characters playing the scene. Then one had to visualise how to occupy the space
on the stage and the orientation of the players and significant gestures by
them. Imaginative recreations of the atmosphere and the physical locale (e.g. framing
the balcony with two pairs of hands forming an arch for the Balcony Scene from
R & J) were constructed with the guidance of the workshop conductors.
Madhav Sharma with participants in the Romeo & Juliet Workshop, Apr 24
The participants were carried away with enthusiasm for the scene
being enacted and put all their energy in getting it right. The scene was repeated
several times by each group to introduce improvements. Madhav Sharma reiterated
that there is no one way to do a scene, and the same actor will try out
different methods, proving thereby that the play has riches to be discovered only
by studying and working on the underlying text.
Anna Raju & Sudakshna Thampi, Amita Palat at the R & J Workshop, Apr 24
In what follows is the text of the scenes from the play (all
edited for brevity), and pictures of the workshops in process.
To read more, click below.
Madhav Sharma rolls over as Amita Palat mourns
Anna Raju & Sudakshna Thampi in a scene
The workshop with participants
Capulet & Montague shake hands when the tragedy is over, R&J are dead
Participants in the Romeo & Juliet Workshop, Apr 24
Madhav Sharma with Participants in the Macbeth Workshop, Apr 25
Miranda Lapworth with Participants in the Macbeth Workshop, Apr 25
Brian Papali & Preeti Sreenivasan at the Macbeth workshop
Preeti Sreenivasan prepares to deal a blow at the Macbeth workshop
Preeti Sreenivasan has done the deed
KumKum & Sheila Cherian at the Macbeth workshop
Preeti Sreenivasan confront Madhav Sharma at the Macbeth workshop
Gigy Joseph of SBC, Changanacherry at the Macbeth workshop
KumKum & Preeti Sreenivasan of St Teresa's College as the three witches in the Macbeth workshop
Josy Joseph of SBC, Changanacherry, with others as the three witches in the Macbeth workshop
Miranda Lapworth with Participants in the Macbeth Workshop, Apr 25
Madhav Sharma & Angel Papali at the Macbeth Workshop, Apr 25
Preeti Sreenivasan (St Teresa's) & Gigi Joseph (SBC, Changanacherry) at the Macbeth workshop Apr 25
Participants (Khalifa on right) in the Macbeth Workshop, Apr 25
Madhav Sharma with Participants in the Macbeth Workshop, Apr 25
Text of Scenes (edited) from the plays enacted in the Workshops
Romeo & Juliet
Act 1,
Scene 1
Enter ABRAHAM and BALTHASAR
They fight
Act 1,
Scene 5
ROMEO
If
I profane with my unworthiest hand
This holy shrine, the gentle fine is this:
My lips, two blushing pilgrims, ready stand
To smooth that rough touch with a tender kiss.
This holy shrine, the gentle fine is this:
My lips, two blushing pilgrims, ready stand
To smooth that rough touch with a tender kiss.
JULIET
Good
pilgrim, you do wrong your hand too much,
Which mannerly devotion shows in this;
For saints have hands that pilgrims' hands do touch,
And palm to palm is holy palmers' kiss.
Which mannerly devotion shows in this;
For saints have hands that pilgrims' hands do touch,
And palm to palm is holy palmers' kiss.
ROMEO
JULIET
ROMEO
JULIET
ROMEO
JULIET
ROMEO
JULIET
Act 2,
Scene 2
JULIET appears above at a window
But,
soft! what light through yonder window breaks?
It is the east, and Juliet is the sun.
Arise, fair sun, and kill the envious moon,
Who is already sick and pale with grief,
That thou her maid art far more fair than she:
Be not her maid, since she is envious;
Her vestal livery is but sick and green
And none but fools do wear it; cast it off.
It is my lady, O, it is my love!
O, that she knew she were!
She speaks yet she says nothing: what of that?
Her eye discourses; I will answer it.
I am too bold, 'tis not to me she speaks:
Two of the fairest stars in all the heaven,
Having some business, do entreat her eyes
To twinkle in their spheres till they return.
What if her eyes were there, they in her head?
The brightness of her cheek would shame those stars,
As daylight doth a lamp; her eyes in heaven
Would through the airy region stream so bright
That birds would sing and think it were not night.
See, how she leans her cheek upon her hand!
O, that I were a glove upon that hand,
That I might touch that cheek!
It is the east, and Juliet is the sun.
Arise, fair sun, and kill the envious moon,
Who is already sick and pale with grief,
That thou her maid art far more fair than she:
Be not her maid, since she is envious;
Her vestal livery is but sick and green
And none but fools do wear it; cast it off.
It is my lady, O, it is my love!
O, that she knew she were!
She speaks yet she says nothing: what of that?
Her eye discourses; I will answer it.
I am too bold, 'tis not to me she speaks:
Two of the fairest stars in all the heaven,
Having some business, do entreat her eyes
To twinkle in their spheres till they return.
What if her eyes were there, they in her head?
The brightness of her cheek would shame those stars,
As daylight doth a lamp; her eyes in heaven
Would through the airy region stream so bright
That birds would sing and think it were not night.
See, how she leans her cheek upon her hand!
O, that I were a glove upon that hand,
That I might touch that cheek!
Act 1, Scene 5
LADY CAPULET
Marry, my child, early next Thursday morn,
The gallant, young and noble gentleman,
The County Paris, at Saint Peter's Church,
Shall happily make thee there a joyful bride.
The gallant, young and noble gentleman,
The County Paris, at Saint Peter's Church,
Shall happily make thee there a joyful bride.
JULIET
Now,
by Saint Peter's Church and Peter too,
He shall not make me there a joyful bride.
I wonder at this haste; that I must wed
Ere he, that should be husband, comes to woo.
I pray you, tell my lord and father, madam,
I will not marry yet; and, when I do, I swear,
It shall be Romeo, whom you know I hate,
Rather than Paris. These are news indeed!
He shall not make me there a joyful bride.
I wonder at this haste; that I must wed
Ere he, that should be husband, comes to woo.
I pray you, tell my lord and father, madam,
I will not marry yet; and, when I do, I swear,
It shall be Romeo, whom you know I hate,
Rather than Paris. These are news indeed!
Enter CAPULET and Nurse
How
now, wife!
Have you deliver'd to her our decree?
Have you deliver'd to her our decree?
How!
will she none? doth she not give us thanks?
Is she not proud? doth she not count her blest,
Unworthy as she is, that we have wrought
So worthy a gentleman to be her bridegroom?
Is she not proud? doth she not count her blest,
Unworthy as she is, that we have wrought
So worthy a gentleman to be her bridegroom?
Hang
thee, young baggage! disobedient wretch!
I tell thee what: get thee to church o' Thursday,
Or never after look me in the face:
Speak not, reply not, do not answer me;
I tell thee what: get thee to church o' Thursday,
Or never after look me in the face:
Speak not, reply not, do not answer me;
Macbeth
Act 1,
Scene 2
For brave Macbeth--well he deserves
that name--
Disdaining fortune, with his brandish'd steel,
Which smoked with bloody execution,
Like valour's minion carved out his passage
Till he faced the slave;
Which ne'er shook hands, nor bade farewell to him,
Till he unseam'd him from the nave to the chaps,
And fix'd his head upon our battlements.
Disdaining fortune, with his brandish'd steel,
Which smoked with bloody execution,
Like valour's minion carved out his passage
Till he faced the slave;
Which ne'er shook hands, nor bade farewell to him,
Till he unseam'd him from the nave to the chaps,
And fix'd his head upon our battlements.
Act 1,
Scene 3
First Witch
Where hast thou been, sister?
Killing swine.
Third Witch
Sister, where thou?
Drum within
Second Witch
a
drum!
Third Witch
Third Witch
Macbeth
doth come.
Thus
do go about, about:
Thrice to thine and thrice to mine
And thrice again, to make up nine.
Peace! the charm's wound up.
Thrice to thine and thrice to mine
And thrice again, to make up nine.
Peace! the charm's wound up.
Enter MACBETH and BANQUO
So foul and fair a day I have not seen.
MACBETH
Speak, if you can: what are you?
All hail, Macbeth! hail to thee, thane
of Glamis!
All hail, Macbeth, hail to thee, thane
of Cawdor!
All hail, Macbeth, thou shalt be king
hereafter!
Second Witch
Third Witch
3 Witches
Your
children shall be kings.
BANQUO
Act 1, Scene 5
LADY MACBETH
Glamis thou art, and Cawdor; and shalt be
What thou art promised: yet do I fear thy nature;
It is too full o' the milk of human kindness
To catch the nearest way: thou wouldst be great;
Art not without ambition, but without
The illness should attend it: what thou wouldst highly,
That wouldst thou holily; wouldst not play false,
And yet wouldst wrongly win: thou'ldst have, great Glamis,
That which cries 'Thus thou must do, if thou have it;
And that which rather thou dost fear to do
Than wishest should be undone.' Hie thee hither,
That I may pour my spirits in thine ear;
And chastise with the valour of my tongue
All that impedes thee from the golden round,
Glamis thou art, and Cawdor; and shalt be
What thou art promised: yet do I fear thy nature;
It is too full o' the milk of human kindness
To catch the nearest way: thou wouldst be great;
Art not without ambition, but without
The illness should attend it: what thou wouldst highly,
That wouldst thou holily; wouldst not play false,
And yet wouldst wrongly win: thou'ldst have, great Glamis,
That which cries 'Thus thou must do, if thou have it;
And that which rather thou dost fear to do
Than wishest should be undone.' Hie thee hither,
That I may pour my spirits in thine ear;
And chastise with the valour of my tongue
All that impedes thee from the golden round,
The raven himself is hoarse
That croaks the fatal entrance of Duncan
Under my battlements. Come, you spirits
And fill me from the crown to the toe top-full
Of direst cruelty!
That croaks the fatal entrance of Duncan
Under my battlements. Come, you spirits
And fill me from the crown to the toe top-full
Of direst cruelty!
Act 2, Scene 2
I have done the deed. Didst thou not
hear a noise?
I heard the owl scream and the crickets
cry.
Did not you speak?
Did not you speak?
When?
Now.
As I descended?
Ay.
LADY MACBETH
MACBETH
Looking on his hands
LADY MACBETH
MACBETH
LADY MACBETH
Consider it not so deeply; so, it will
make us mad.
No comments:
Post a Comment