Poetry Reading – June 13, 2014

KRG readers gathered to read poetry on June 13, 2014

Thirteen of us met on an occasion when two new members were trying us out, while (sadly) our youngest member, Esther, was on her way out with a new position in Chennai. It was much later than usual when we finished, testament to our fervent discussions and the number who were in attendance.

Sujatha Warrier, Sreelatha Chakravarty, KumKum, Talitha

Two poets from Russia, four from India, and one each from Pakistan, Greece, and Iraq, stood apart from the usual bag of British and American poets, five in number. Most unusually, we had a ghazal chanted by a new reader, Pamela.

Talitha, Gopa, Ankush, Thomo

Poets without rhyme, or reason, or metre, combined with those who performed exquisitely within those constraints. While all poets are contemporary in their time, very few remain ‘contemporary’ hundreds of years later.

Preeti, Pamela, Zakia, Sujatha, Sreelatha

Here is a picture of the group, a bit exhausted after the ardent session.

Preeti, Esther, Priya, Talitha, KumKum, Gopa, Pamela, Sreelatha, Ankush, Joe (Zakia, Sujatha, & Thomo left early)

For a full account of the poems we read and the discussions they provoked, click below.

Shakespeare 450th Birth Anniversary Festival – Workshops on Apr 24 & 25, 2014: Romeo & Juliet, and Macbeth

'My only love sprung from my only hate'

Our UK visitors, Madhav Sharma and Miranda Lapworth, conducted two workshops, introducing Shakespeare to participants through stage acting. On Apr 24 they took up scenes from Romeo and Juliet for acting, and on Apr 25 it was Macbeth. The film shows of the two plays had been arranged on the day prior to the workshops.

'this my hand will rather the multitudinous seas incarnadine'

The participants were divided into groups of two or three as required and handed out the text of short scenes, for example, the opening scene from R &J where the servants of the Capulet and Montague families go about insulting and taunting each other until swords are drawn and a brawl ensues.

Miranda Lapworth with participants in the Romeo & Juliet Workshop on Apr 24

First, the workshop attendees focused on what the scene was about, the emotions and underlying tensions, and how they are manifested by the characters playing the scene. Then one had to visualise how to occupy the space on the stage and the orientation of the players and significant gestures by them. Imaginative recreations of the atmosphere and the physical locale (e.g. framing the balcony with two pairs of hands forming an arch for the Balcony Scene from R & J) were constructed with the guidance of the workshop conductors.

Madhav Sharma with participants in the Romeo & Juliet Workshop, Apr 24

The participants were carried away with enthusiasm for the scene being enacted and put all their energy in getting it right. The scene was repeated several times by each group to introduce improvements. Madhav Sharma reiterated that there is no one way to do a scene, and the same actor will try out different methods, proving thereby that the play has riches to be discovered only by studying and working on the underlying text.

Anna Raju & Sudakshna Thampi, Amita Palat at the R & J Workshop, Apr 24

In what follows is the text of the scenes from the play (all edited for brevity), and pictures of the workshops in process.

To read more, click below.

Shakespeare 450th Birth Anniversary Festival – Symposium on Apr 27, 2014: Shakespeare in My Youth by Joe Cleetus

Joe recalled events from his youth which bore the impress of William Shakespeare and briefly considered a string of sonnets dealing with love. 

He noted what made them attractive in youth. Some even had bawdy content but the wit was charming.  The sonnets in the plays are particularly poignant. 

The Palmer's Kiss – Romeo & Juliet, Leonard Whiting and Olivia Hussey

Illustrations from boyhood speech in school mimicking Shakespeare demonstrate the liberating influence he had. 

Joe Cleetus

A year ago Joe decided he owed something to Master Shakespeare and would repay him partially by gathering people for a festival celebrating his words on his 450th Birth Anniversary. His talk ended with a sonnet of homage.

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Shakespeare 450th Birth Anniversary Festival – Symposium on Apr 27, 2014, The Symbolism of Food in Shakespeare's Plays by Miranda Lapworth

Music, as we know, is the food of love, but in Shakespeare, the love of food is all-consuming. All jollity is rounded off with a grand feast of celebration. 

Miranda Lapworth, director, drama coach an actor

Ms Miranda Lapworth who is currently writing a book on the symbolism of the different kinds of food in the plays, told us of her researches. She was also the person who co-devised the one-man play, Bharat, Blighty and the Bard – Shakespeare for Everyone with Madhav Sharma.

The text of the plays is generously stocked with food, sometimes informing us of a person's character by their likeness to a particular ingredient, or their habits of eating revealing to us some vital part of their thought-processes.

Banquet Scene in Macbeth

Miranda Lapworth opened up the dining rooms and kitchens of Shakespeare to reveal their significance for love, celebration, deception, revenge, and death.

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Shakespeare 450th Birth Anniversary Festival – Symposium on Apr 27, 2014, The Magic of Shakespeare by Shri V.N. Venugopal

Shakespeare as Prospero  the magician

What is the magic of William Shakespeare that 400 years after his death the world still rings with his praise? This is the central question to which Shri V.N. Venugopal addressed himself. 

Shri V.N. Venugopal, Patron of the Kerala Fine Arts Society

The variety of characters and human portraiture in Shakespeare's plays are unparalleled.  His female characters are equally colourful and interesting. 

Jeanette Nolan from Orson Welles’ Macbeth (1948)

Longfellow summed up Shakespeare’s work as “the rarest essence of all human thoughts.”

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Shakespeare 450th Birth Anniversary Festival – Symposium on Apr 27, 2014, Prof Thomas Duddy on The Sonnets

The dedication page of the Sonnets published by Thomas Thorpe in 1609

The Sonnets would not have been printed except that Thomas Thorpe got hold of them through W.H., thought to be William Harvey, the 3rd husband of Countess Southampton to whose son, the Earl of Southampton, Henry Wriothesely, Shakespeare’s patron, the sonnets were addressed.

WS revealed himself in the Sonnets in all his vulnerability and as far as people know it was not meant for publication, but sent to his patron and close friend, to whom they are addressed. They were not literary exercises at all, but intimate personal correspondence in the form of sonnets from WS to his patron. But some were circulated among friends of the Earl and came to the notice of Francis Meres, a Cambridge man, who refers to them in 1598.

They probably date to the plague years of 1592-93. Prof Thomas Duddy confesses his frank love of the Sonnets, scores of which he has memorised, for his macular degeneration makes reading very difficult now.

Prof Thomas Duddy  

Yet Prof Duddy  stood with his mike in front of the audience and thrilled them with the riches that lay in the complex mind of William Shakespeare as evidenced in the sonnets. He chose Sonnets 18, 29, 65, 73, 97, and 138 which were given as handouts to the audience. Then he proceeded to treat them one by one, reciting them first and expatiating on what was noteworthy, raising questions to think on as a mentor would.

Later a number of KRG readers wished he would lead a seminar on the Sonnets when he returned in Sept from Brooklyn. What follows is Joe's recollection of the talk, but it has equal parts of  Helen Vendler's The Art of Shakespeare's Sonnets and his own reflections.

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The Great Gatsby by F. Scott Fitzgerald – May 9, 2014

The Great Gatsby - First Edition cover 

(eyes are from the all-seeing billboard of Doctor T. J. Eckleburg, oculist)

This novella about one man's fixation on a girl after a brief acquaintance, and then an enforced absence, has become a classic of American literature. It continues to sell in tens of thousands of copies 80 years later

KumKum reading

Five films have been made, and the last two are far better than the novel, in that by applying the scriptwriter's art and the cinematographer’s , the scenes acquire a lustre and the jerky gaps in the tale are filled out.

Pamela, Kavita, Talitha, Priya

Three new members joined us to read. Our welcome to them, and we hope they will be able to stay the course, participate avidly, and enjoy.

Govind & Priyadarshini, new readers

Here we are at the end of the session on a day the sky had cleared after several days of rain.

Joe, KumKum, Ankush, Vijay, Priyadarshini, Talitha, Priya, Esther, Kavita, Pamela, Mathew

To read the full account click below ...

Shakespeare 450th Birth Anniversary Festival – Birthday Celebration on Apr 23, 2014

Shakespeare 'Sanders' portrait - A scholar at the University of Guelph believes that in this we have the best mirror of Shakespeare's face

Shakespeare's 450th Birthday was being celebrated all over the world, and KRG readers were leading the celebrations in our part of the world - Kochi, Kerala. First, we had a reading of excerpts from the two poems with which Ben Jonson adorned the First Folio, published in 1623, six years after the poet's death.

The First Folio - the book by fellow actors Heminges & Condell without which half of Shakespeare's plays would have been lost to posterity

Jonson admonished readers not to look for Shakespeare's likeness, instead:

Reader, looke/ Not on his Picture, but his Booke.

We had a beautiful cake decorated for the occasion by Brunton hotel, and sang Happy Birthday to Master William Shakespeare.

Following the merriment the participants had tea and cake in  spacious courtyard and returned to see the second performance of Bharat, Blighty & the Bard – Shakespeare for Everyone, the one-man Play by Madhav Sharma and Miranda Lapworth.

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Shakespeare 450th Birth Anniversary Festival – Bharat, Blighty & the Bard – Shakespeare for Everyone, one-man Play by Madhav Sharma, Apr 21, 2014

Cobbe Portrait of William Shakespeare, ca. 1610, Artist unknown

When Madhav Sharma (MS) learnt on a visit from UK in Jan 2014, about the Shakespeare Festival that KRG was putting on for the 450th Birth Anniversary, he eagerly agreed to accept the invitation to participate. Ideas that had been brewing in his mind ever since Indira Outcalt urged him to tell the story of his own life, came together in a one-man play, ‘Bharat, Blighty & The Bard – Shakespeare For Everyone’ which was co-devised with Miranda Lapworth. The result is a play that uniquely unites the twin lives of MS and WS. 

Bharat, Blighty & the Bard  – Shakespeare for Everyone, Flyer

It took a good deal of lobbying by MS with the British Council in India & UK, and with the co-operation and support of Priti Patel MP (appointed by Prime Minister David Cameron as Champion, Indian Diaspora UK) and the Deputy High Commissioner of India in London (Dr Virander Paul), and sponsors such as TATA, The Backstage Trust, The Promotion of English Trust and various individuals, including members of The Royal Shakespeare Company and The National Theatre, before the trip of MS and Miranda Lapworth (Director and Co-Creator who has also fulfilled several of the functions of designer, publicist and general dogsbody) could fructify.

KRG was the original sponsor in India. 

Madhav Sharma in his one-man play Bharat, Blighty and the Bard – Shakespeare for Everyone 

Thus on Apr 21 the world premiere of Bharat, Blighty & the Bard – Shakespeare for Everyone was held in Fort Kochi at David Hall. It lasted 90 minutes, but scarcely anyone could draw hiser gaze away from MS, performing the words of WS to illuminate the sequence of remarkable events that brought MS to the Royal Academy of Dramatic Art in London, the womb and nurturing ground of great actors on the London stage. WS was front and centre, his plays and sonnets casting his all-embracing gaze on the life we mortals lead.

 The audience watches Madhav Sharma

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Shakespeare 450th Birth Anniversary Festival – Opening Ceremony Apr 21, 2014

Mr Jose Dominic, MD of CGH Earth, who sponsored this Festival at David Hall opened with a few remarks, quoting from Romeo and Juliet, the text in school from which he remembered the famous lines beginning But soft, what light through yonder window breaks?

KumKum Cleetus welcomes the audience 

The KRG Elizabethan Singers, comprising Talitha Mathew as Director, with singers, Esther Elias, Thomas Chacko, Geetha Chacko, Sheila Cherian, Elizabeth Thomas, and Ajoy Jacob were accompanied on the keyboard by Ruben Jose of Virtuoso Music, and Rahul Chacko on the guitar.

KRG Elizabethan singers, and the accompying musicians on stage

 The songs date from ancient times. Composers, great and small and anonymous, have been happy to set music to the delightful songs with which Shakespeare satisfied eager theatre goers in his time.

The audience for Shakespeare's songs from the plays 

The show ended with the reading:

Our revels now are ended. These our actors,

As I foretold you, were all spirits and

Are melted into air, into thin air:

 Thomas Chacko & Ajoy Jacob sing with Ruben Jose on the keyboard

You can view the video of the songs, about 14 minutes worth at 
Shakespeare Songs.


 To read more click below …